As, Swedish songwriter slowly developed from the -evoking chamber indie of her earliest singles into a more layered pop sound, gradually employing more electronic elements as the years rolled on. With, she expands on the reference points of house, dub, and disco production that characterized her glowing 2009 album,. The album keeps up the shattered drama that's colored all of 's work from the start, with depressive undertones bubbling below the synthy sounds and 's softly gliding vocals driving home an understated hopeless feel in even the most upbeat songs.

Cara Mengedit Guitar Hero Ps2. Things stay dark but never cross the line into morbidity. More so, has been down so long it must look like up by now, especially with otherwise lively productions like 'Hold Off the Dawn' latched around lyrics like 'Ain't no need to talk about the future, baby' and 'Is there a way to hold off the dawn? It's just another day.' Space drums and a slinky rhythm section distract from the heavy mood, but it's still there. Some of the dubby basslines ('Love in Vain') and brash synth sounds ('Home Is to Feel Like That') from the last album carry over, but the strength of comes in the new terrain the album explores.